出版于一九三二年的《美丽新世界》是奥尔德斯•赫胥黎最杰出的代表作,是二十世纪最著名的反乌托邦文学经典之一,与奥威尔的《一九八四》、扎米亚京的《我们》并称为“反乌托邦”三部曲,在国内外文学界和思想界影响深远。这是一部寓言作品,展现了赫胥黎眼中的人类社会的未来图景:通过最有效的科学和心理工程,人类从遗传和基因上就已经被先天设计为各种等级的社会成员,完全沦为驯顺的机器,个性和自由被扼杀,文学艺术濒于毁灭。继《美丽新世界》这部寓言小说杰作之后,赫胥黎又于一九五八年出版了论著《重返美丽新世界》,在这部雄辩的作品中,作者运用其丰富的社会学和人类学知识,比较了现代社会与他在《美丽新世界》中所构想的寓言性图景的方方面面,像人口过剩、宣传和洗脑以及化学劝诱等,认为他早年悲观的预言正在成为现实。本书将赫胥黎这两部最经典的名著全部收入。
《莱博维茨的赞歌》是美国科幻作家、雨果奖获得者小沃尔特•M.米勒的一部长篇小说,讲述了人类文明毁灭-重生-毁灭的轮回史诗,赞美了人类渴求知识、渴望文明的伟大精神。全篇由三个相对独立又互有联系的故事组成,聚焦于信仰与科学、宗教与世俗信仰之间的冲突,思想性对话精彩紧张,人物刻画夸张而细腻,堪称后启示录科幻中的经典。
一部伟大到不需要续集的文明史诗
这本书里,地球毁灭了两次
只有对文明不灭的信仰,才能抵御一次次的沦亡
“雨果奖”获奖作品,全球超过110个版本
•入选100位哈佛教授推荐有影响力的书
•入选英国《卫报》必读科幻小说名单
•《时代周刊》赞誉“具有伟大文学价值的小说”
•《轨迹》杂志票选20世纪科幻长篇小说名单
“非同一般……非常震撼人心。”——《时代》
“愤怒而又优雅……非常精彩的故事。”——《纽约时报》
“一个让人兴奋和充满想象的故事……无条件推荐。”——《图书馆杂志》
“想象丰富,妙趣横生,又让人觉得恐怖,让人对人类的道德和理性陷入深思……但首先,它是一个令人难忘的故事,读过的人一定会记住很多年。”——《芝加哥论坛报》
可能是科幻作品中独一一部被认可的文学经典——大卫•N.萨缪尔森
核战席卷了全球,辐射肆虐整个地表世界,在提前准备好的地下庇护所里,人类幸存者艰难地生存繁衍。
几个世代之后,在几乎全黑的环境中,人类文明逐渐失落,而人类的感官则以匪夷所思的模式得到了进化。一个群落的人类以声呐代替了视力;而另一个群落的成员,眼睛则能感知红外线。
贾里德即将成年,他是年轻一代的佼佼者,肩负着部族的未来。然而,部族赖以生存的热泉开始干涸,同伴一个接一个地失踪,辐射病也到处肆虐,贾里德不得不踏上未知之旅,去探索这个洞穴宇宙的真相……
【名人推荐】
本书极为大胆地将故事场景设置在一座地下洞穴之中,读者从开篇便被剥夺了视觉,只能跟随主人公用敏锐的听觉来感知这个漆黑却丰富的洞穴宇宙,极富阅读趣味。
——吉迪恩·马库斯 著名科幻评论家
独一无二的科幻构思让《黑暗宇宙》经受住了时间考验。这本书应该出现在所有的”最佳科幻小说书单“上。
——托尼·斯图尔特 美国犯罪小说作家
本书是关于一个年轻人如何在黑暗中寻求启蒙,他对光明的追求既是真实的,也是隐喻的,因此代表了很多潜在的意义。
——杰西·哈德森 著名科幻评论家
- 编辑推荐 -
★内维尔·舒特最具力量的经典反乌托邦长篇:难以忘怀也难以释怀的末日核景象,当今世界一则振聋发聩的警世喻言。
★“这才不是世界末日,这只是我们人类的末日。世界的一切都会按常持续,只是我们已不在其中罢了。我敢说少了我们,世界会相当美好。”
★“半个世纪后阅读,依旧深深感动。”(《经济学人》)
★“我们凝视着无底深渊,得以自边缘退后一步。”(《卫报》)
★“探讨核战余波的类型小说中最令人感同身受的一部。”(《泰晤士报》)
★“对核战后人们因辐射尘染病而死的景象最为逼真的召唤。”(《纽约时报》)
- 内容简介 -
第三次世界大战爆发,核武器在短短一个月内摧毁了世界,北半球归于沉寂,而辐射尘正以死神的脚步慢慢飘抵南方的澳洲。地球上这些残存的人,如何在最后这段日子,面对没人能真正说明白的即将来临的死亡,而重新体会原有的日常:海滩、帆船、派对、酒吧、亲友、教堂、园艺、钓鱼、赛车、牧牛、耕地……并在这些真实的生命样貌里,把握一丝活下去的希望?奇迹,是否会降临?
懸疑、驚險、高潮迭起的推理傑作
工筆細膩、撼動心靈的人性劇場一對一覺醒來記憶全失,身分不明、手臂被印上「Level 7」文字的年輕男女; 一個在日記上留下「到了Level 7會不會回不來?」,便離奇失蹤的高中女學生;究竟,Level 7是什麼?男女屋內發現的一大箱現金、一把手槍和一條染血的毛巾,又涉及什麼樣的險惡陰謀?
當失憶的男女焦急萬分地想找回自己、高中女學生的友人積極地援救身陷險境女學生的同時,兩宗看似無關的事件突然產生戲劇性的交集。 不料,所有的事件都與一宗極其凶殘的命案息息相關......
人性的極度自私與貪婪、親子間淡薄可悲的關係、令人錯愕的醫療亂象......作者超強的說故事能力充斥字裡行間,毫不賣弄造作,娓娓描述勇敢、凝練、包容、達觀的人性價值,足以振奮人心。
This fast-paced narrative by the author of CRASH and EMPIRE OF THE SUN is a stunning evocation of a flooded, tropical London of the near future and a foray into the workings of the unconscious mind. Set in the future, Ballard imagines a world in which global warming has melted the ice-caps and primordial jungles and swamps have returned to a tropical London. As various members of an expedition to the city busy themselves with more or less futile schemes like draining Leicester Square in hope of loot, the central character Kerans moves to a strange acceptance of and assimilation by this lushly transformed world, vanishing into a final epiphany of heat and light. 'The Drowned World' is a potent, sensual mood-piece -- jewelled and unforgettable.
GATHER, DARKNESS is a science-fiction classic. It tells the story of Armon Jarles, a man on the edge, living amidst the disputes of two rival powers at large in the world. 360 years after a nuclear holocaust ravaged mankind, throwing society back into the dark ages, the world is fraught with chaos and superstition. The new rulers over the masses of humanity are the techno-priests of the Great God, endowed with scientific knowledge lost to the rest of humanity. Jarles, originally of peasant descent, rises to become a priest of the Great God. He knows the gospel propagated by the priests to be a fraud, based on illusion and trickery. Even more offensive to him is the paucity of true believers among the priesthood. One day he rebels against his priestly training and attempts to incite the peasants to rise up and demand freedom, but they are not ready. Jarles is not the only dissenter trying to sabotage and expose the false theocracy of the priesthoodwitchcraft is slowly gaining strength and support among the populace. Although Jarles is unaware, his rebellion against the power of the priests is about to throw him headlong into the middle of the greatest holy war the world has ever seen.
This is the story of a lie that became the most powerful kind of truth. A timeless novel as urgently compelling as War Day or Alas, Babylon, David Brin's The Postman is the dramatically moving saga of a man who rekindled the spirit of America through the power of a dream, from a modern master of science fiction.
He was a survivor--a wanderer who traded tales for food and shelter in the dark and savage aftermath of a devastating war. Fate touches him one chill winter's day when he borrows the jacket of a long-dead postal worker to protect himself from the cold. The old, worn uniform still has power as a symbol of hope, and with it he begins to weave his greatest tale, of a nation on the road to recovery.
The novel tells the story of a young man named Rush that Speaks and of his wandering through a strange, post-apocalyptic world in pursuit of several seemingly incompatible goals.
The story is set in a post-technological future. Our own age is dimly remembered in story and legend, but without nostalgia or regret. The people of Rush's world are engaged in living their own lives in their own cultures. Words and artifacts from our own time survive into Rush's age, suggesting that it is only a few millennia in our future. Yet we are given hints that human society and even human biology are significantly changed. Even such basics as reproduction and eating have been altered, one by industrial-age genetic tampering, the other by contact with extraterrestrial life.
Rush comes of age in Little Belaire, a mazelike village of invisible, shifting boundaries, of secret paths and meandering stories and antique bric-a-brac carefully preserved in carved chests. The inhabitants are divided into clans called cords based on personality traits. Over the centuries, the people of Little Belaire have perfected an art which they call truthful speaking: communication so clear and accurate, so "transparent", as to leave no potential for deception or misunderstanding. Perhaps as a result of this practice, Little Belaire appears to be free of any violence or even serious competition. Another result of truthful speaking is the existence of the saints, those whose stories speak not only of the specifics of their own lives, but about the human condition. Yet even with the benefit of truthful speaking, secrets and mysteries remain.
Rush's journey is set in motion when the girl he loves, Once a Day, elopes from Little Belaire to join another group, an enigmatic society called Dr. Boots's List. In his search for her, Rush befriends a hermit and an "avvenger" and shares the secrets of the List. Ultimately he discovers a transparent sainthood stranger than any story told by the gossips of Little Belaire.
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出版于一九三二年的《美丽新世界》是奥尔德斯•赫胥黎最杰出的代表作,是二十世纪最著名的反乌托邦文学经典之一,与奥威尔的《一九八四》、扎米亚京的《我们》并称为“反乌托邦”三部曲,在国内外文学界和思想界影响深远。这是一部寓言作品,展现了赫胥黎眼中的人类社会的未来图景:通过最有效的科学和心理工程,人类从遗传和基因上就已经被先天设计为各种等级的社会成员,完全沦为驯顺的机器,个性和自由被扼杀,文学艺术濒于毁灭。继《美丽新世界》这部寓言小说杰作之后,赫胥黎又于一九五八年出版了论著《重返美丽新世界》,在这部雄辩的作品中,作者运用其丰富的社会学和人类学知识,比较了现代社会与他在《美丽新世界》中所构想的寓言性图景的方方面面,像人口过剩、宣传和洗脑以及化学劝诱等,认为他早年悲观的预言正在成为现实。本书将赫胥黎这两部最经典的名著全部收入。